Up, Down?

October 17th, 2007.  It was a sunny day in Washington DC as hundreds gathered on the south lawn of the US Capitol hoping to get a glimpse of Jetsun Jamphel Ngawang Lobsang Yeshe Tenzin Gyatso, better known to the world as the 14th Dalai Lama.

They began arriving early in the day, staking out positions on the lawn as if it were some festival concert.  Some in traditional Buddhist robes, some carrying handmade signs urging support for a free Tibet; they crowded along the capitol steps and watched a jumbotron feed of the Congressional Gold Medal ceremony taking place inside the Capitol Rotunda.

I did not watch the jumbotron because I was inside photographing the ceremony.  Of the hundred plus pictures I took that day, one stood out immediately:

Up, down?

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Gretch blows a bubble

Easter 2006.  After running around in the backyard in search of plastic eggs, the festivities die down and the simple act of blowing bubbles entertains us for a half hour.  I knew I wanted to get a shot of my wife Gretchen blowing a bubble, but I  had no real ideas about the image that I was trying to capture.

Looking back on it now, I’m surprised to see that I actually took 71 frames before I finally arrived at the winning shot below.

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Liberty of Vegas

Vegas, September 2005: I’m newly married and on the first leg of our honeymoon tour.  The Canon 350D is very new in my hands and I’m still trying to understand why I would ever bother shooting RAW images.  After living for five years in New York City, the New York, New York casino at the bottom of the strip fascinates me to no end.  A completely generic version of one of the greatest cities in the world, complete with a mini skyline and a scale model of the Statue of Liberty.  

Liberty of Vegas final

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Mass market appeal and the creative process

I wonder if people are ever aware that something they’re creating has mass-market appeal. I don’t mean “mass-market” in the sense of a deliberate and methodical effort to appease the widest possible audience, but rather a universal charm that is the unintended result of creativity. Certainly one must expect that an artist is often thrilled at their own creations, but is there ever a point when one can step back from something they’re creating and say with accuracy “this is going to be big”?

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First.

I started shooting originally with a Fisher-Price 110 camera.  It was blue with rubber ends and a break-away neck strap and you could stick one of those vertical flashbulbs in the top for indoor shooting.  From there I graduated to my father’s Nikon FE with a Nikkor 50mm f/1.4 prime lens.  

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